Survey Exhibition, Jan 15 - Feb 14
Will Cruickshank, Thomas Haywood, Ulrike Mohr.

Thomas Haywood “Family” images printed by Artful Dodgers Imaging.
Will Cruickshank makes insouciant objects that react to the viewer with a deep, deadpan comedy. They are faux-scientific experiments in weight, movement, balance and human activity. Cruickshank’s site-specific activities include converting a broken bicycle into a mobile free hot-chocolate stall in Zhongdian, Yunnan, China. For Standpoint, he will welcome visitors into the building with a tune.
Thomas Haywood’s ‘Family’ is a photographic body of work that has been developing over the last five years, exploring the nature of family relations, associations with place, and ideas of belonging. This ‘knowledge’ emerges as much from Haywood’s aesthetic debt to the semi-rural surburbia of film and television as it does to the viewer’s personal memories. Haywood’s technique aspires to visual containment of a milieu – the understanding that comes from viewing a thing from all different angles, over and over again.
Ulrike Mohr calculates systems of position location, which refer as much to sociology as geography - what is my position in this system; what is my place; where are the gaps in my network; am I inside or out? For the 5th Berlin Biennial, Mohr relocated several scrubby, self-seeded trees from the roof of the Palast der Republic (former GDR parliament building) to the Skulpturenpark. Working with abandoned trees sourced from the local environment, Mohr will be making a new conceptual installation for Standpoint.
Contact Fiona MacDonald: 0207 739 4921 /standpointgallery@btconnect.com
Venue: Standpoint Gallery, 45 Coronet Street, London N1 6HD
Gallery Open: Wednesday – Saturday, 12-6pm
Tube: Old Street, Exit 2 (Northern Line – Bank Branch)
Buses: 55, 67, 149, 242, 243
Web: www.standpointlondon.co.uk